Happy Autumn.

It’s incredibly hot for this time of year in Baltimore today. So I am celebrating the start of Fall by sharpening a Blackwing 211 to use in my Write Notepads Copper Anniversary edition. This could be one of my new favorite autumnal combinations.

Remember how, back in 2015, no one could have predicted that one of these pencils could set you back $40 to $50 a pop? as I said this thing into a rotary sharpener today, I imagined I was sharpening two $20 bills. Then I remembered that I only paid about $2 for this pencil. So I plan to use it down to nothing. I am, however, being very careful not to lose it to the hands of one of my children.

Blackwing Volume 42.

If you say that it feels like we just got a Blackwing Volume two months ago, you’re correct. Apparently, Blackwing is moving up their release schedule, starting now. We will see the winter release in November. I can’t say I prefer this schedule or the old schedule more, but I do appreciate that Blackwing is being intentional and consistent.

Volume 42 is here! This fall’s release is, at first glance, another baseball pencil. Only, it’s not. It’s dedicated to Jackie Robinson:

In 1947, Jackie Robinson was called up to the Major Leagues by the Brooklyn Dodgers, breaking the color barrier and providing much needed momentum to the desegregation movement that extended well beyond baseball.
The Blackwing Volume 42 is a tribute to Jackie Robinson and those who pursue their passions, creative or otherwise, regardless of the obstacles in their way. It features our balanced graphite, a blue imprint and eraser, road gray ferrule, and the iconic red 42.

Read even more here.

Aesthetically, I find this pencil to be unexpectedly striking. One might be forgiven for thinking it is merely a differently stamped Pearl from the pictures online, but this is not the same finish as the Pearl. Instead of the iridescent Pearl, this is a glossy white — thickly and perfectly applied. It also looks simple at first glance. But the ferrule is new, and this is the first time that Blackwing has used two colors on the imprint — and the first time since spring 2018’s Volume 54 that we have seen such a brightly-colored imprint. On the white barrel, it’s stunning. Combined with the blue eraser, this pencil is anything but boring.

The new ferrule is named after the away/road uniforms that baseball teams wear while playing away from their home fields (and of course, Home White refers to the home field uniform). I would love to see this ferrule on a permanent Blackwing (can you imagine it on the Natural?).

I feel like I should mention that the ferrule connection issues experienced by quite a few Comrades over the last few Volumes seem to have been solved now — at least so far as I can tell from the dozen I have.

Those of us who wanted a point guard to match the Mars Pencil are in luck, as Blackwing has produced a Road Gray matching protector — included free with subscribers’ boxes. (Best extra yet?) In place of the usual “B” logo on the end, this protector sports Robinson’s 42. Swoon.

Blackwing has always been very good at packaging, and I love that the last few releases have had matching (recyclable) packing materials. In deep blue, this release is no exception.

Also included in this season’s subscriber box: stickers! Seen below, these are getting stuck on something quick.

My only real issue is the core. Putting the “balanced” core into a white pencil would seem to invite the charge that they just painted a Blackwing Pearl. I notice that they have been careful not to put the MMX core into the black limited editions they have put out. On the other hand, it’s technically the Balanced core’s turn at bat. So maybe I’m just saying this because it’s my least favorite Blackwing core (though your least favorite Blackwing core is still a great core, no?).

This is a great pencil — both aesthetically (it’s understated without being boring) and theme-wise (it’s no surprise that we’re happy to see Blackwing move past their monochromatic first year of releases). I’m leaving my dozen, open, around my home, daring anyone to snatch one — so I can buy another box.

Blackwing Volume 10.

Just in at HQ: the latest limited release from Blackwing. Volume 10 refers to the essay “10 Days in a Mad-House” by Nellie Bly. The summer 2019 offering is a tribute to investigative journalism. I love this theme.

In a different and more courageous life, I would have loved to pursue a career in such brave writing, such boots on the ground journalism. Studying philosophy, we searched for Truth or the truth as a undergraduates. Then we searched for spots in PhD programs during our MA years, and after that, we searched for jobs teaching at universities. There, we would write fancy book reports and sometimes read them at conferences to 17 people, some of whom might have actually read what we wrote before asking questions that were designed to make themselves look intelligent or to make us look stupid or, best, both. The search for what is true or Truth got ignored and left to enthusiastic undergrads who would, in turn, ignore it. I finished my doctorate and jumped ship, though I’d jumped ship in my heart years earlier. To quote Nietzsche (how pretentious! get to the pencils!) from Thus Spoke Zarathustra:

For this is the truth: I have departed from the house of the scholars, and the door have I also slammed behind me.

I developed a taste for Sebastian Junger, Jon Krakauer, even the perhaps less truthful Bruce Chatwin. Thoreau became my model of the philosopher, the investigative truth-seeker whose search for meaning involves going inside and also outside into the world. If I had a time machine, I’d go back in time and hoard the 2004 version of the Ticonderoga “Black” and also study journalism. So this theme really grabs me.

I also love the oblique mental health angle. I know there are cries of bandwagon lately surrounding mental health awareness, especially when companies attempt to cash in and are guilty of the equivalent of green-washing. Nonetheless, the stigma around mental illness is not going anywhere without awareness, and every little bit helps. I appreciate that Blackwing mentioned mental health and did not harp on it too much. Miss Bly’s piece shed light on common misconceptions of people who suffer from mental illness and their relation to the rest of society. How many misconceptions still exist in 2019?

I couldn’t get these into my grubby hands quickly enough.

In the end, I feel the opposite that I felt over Volume 1. That pencil was so pretty that I didn’t care that the theme was a musician that I find, honestly, boring. This time, I don’t care that much what the pencil looks like because I like the theme so much. First libraries, and now journalism? Blackwing has me paying attention. I don’t know how I actually feel about the looks yet. Or, at least, I’m not sure how to form an opinion that is at all divorced from how much I love this theme.

The pencil sports a “matte grey newsprint finish” with a silver ferrule and [new] dark grey eraser. The imprint is dark grey, and the 10 really stands out for on this no-frills barrel, even more than the #1 did on Volume 1. The core is the extra firm that we have seem now on the 24, the 530, the rare 1917, the 54, and the Natural. I love the texture of the matte finish, and the rather cool grey is a lovely tone. The eraser is dark enough that it looks black; they probably could have saved some money by just using black erasers. What’s really interesting is how much the color of the cedar is set off by the design of this pencil after you sharpen it.

The subscriber extra is a facsimile of a newspaper that is a hard copy of Miss Bly’s essay, complete with a thoughtful surprise at the end that I won’t spoil here.

Some folks have expressed disappointment that the pencil is so…muted or boring. There are already a slew of white, black, and grey Blackwings, in the regular line-up and the Volumes series. I’m not bothered by it. I’d love to see a yellow pencil, some more blue, definitely a purple pencil. But what color would have worked for this theme? Should Blackwing have excluded this theme because no bright colors or interestingly shaped pencils would match it? It’s drab. But is that a bad thing?

Blackwing Volume 811.

The Library Pencil is here! A tribute to libraries, the number of this edition references where in the Dewey decimal system one might find works by Dr. Maya Angelou. From Blackwing:

In a speech delivered at the New York Public Library in 2010, the late Dr. Maya Angelou poetically described the humble library as a 鈥渞ainbow in the clouds鈥 so that 鈥渋n the worst of times, in the meanest of times, in the dreariest of times鈥 at all times the viewer can see a possibility of hope.鈥滭/span>

The color of the pencil is a reference to the iconic green lamps found atop the tables in a lot of old library buildings. I doubt that it is accident that this pencil looks so beautifully when placed atop an old volume of lore (forgotten or otherwise).

We were lucky enough to have Blackwing’s brand manager, Alex, on the Erasable Podcast last night. Andy and I had a great time talking with Alex about this pencil and about all things Blackwing. But this is really a pencil you have to see with your eyes.

I find it difficult to really capture the color of this pencil. The gradient runs from an emerald green near the ferrule to a pale green near the business end. Alex tells us this was accomplished with a roll-on printing process. However, only with bright light, close examination, and knowing that it’s already there can I find any seam at all. I thought it was just a few coats of lacquer.

The the gold stamping looks specially crisp on top of this green, and it perfectly matches the ferrule. The pink eraser looks great, but I wonder if yellow wouldn’t bring to mind the lamp after which this pencil is designed a little more. As it is, the pink looks fantastic. The core is the same “Firm” that Comrades can find in the Blackwing 602.

While the color is beautiful and perfectly spring-like, I think the green might be a little too cold/blue to perfectly match a little/banker’s lamp. But I could be totally wrong, and it’s danged close enough at any rate.

The the other way in which this pencil references lamps is that it actually lights up; glows in the dark! Alex told us that this pencil is slathered in phosphorescent paint, and it shows. This glows in the dark much more brightly than any other toy that I remember having as a kid. I had very little trouble getting a picture of the glow with a smartphone in a dark room after “charging” it for a few minutes in sunlight. The gradient of this finish, mixed with extra coats of clear lacquer on top, results in a nice matte finish to the eyes but a somewhat slippery finish to the fingers. It is a little bit of a paradox, but I got used to the light slipperiness as quickly as I got used to the slight grit of Volume 4.

This edition is a clear winner in my book. (See what I did there?) over the last few years, some of the editions in the Volumes series sold out really quickly, while some stuck around for a bit. We’re not sure how many of any individual edition Blackwing ever made. So if you like nice pencils, the color green, the library, and things that glow in the dark, I’d hurry and grab a set of these — before they burn out.

In a dimly-lit room, this pencil glows it bit.

Blackwing Volume 4.

Blackwing Volume 4 is here, and it is the Mars pencil. While the soft core will leave some folks wanting, I’m delighted by the latest offering from Palomino.

Clad in a matte rust orange, Volume 4 sports the usual hexagonal cross-section. Embedded in the finish are little pieces of sand. On first using these, right before we recorded the latest episode of Erasable, I was not a fan of the sand. However, after using this pencil more, I’ve come to appreciate the subtle texture. The grit is more of an extra feature of the design than it is something Comrades will actually notice very much in use.

The imprint is cream-colored, as is the eraser. The hue is very close to a standard Blackwing white eraser, but it is definitely different. I was surprised that subscribers did not get an extra pack of such a non-standard eraser color, which is usually the case. (Gray might be a suitable replacement.)

But what did come extra in subscribers packs is a lovely art print!

The ferrule is marketed as having a bronze finish, but I would call it more of a gray or gunmetal. It’s still lovely, and it blends with the color and design of this pencil to great effect.

Altogether, I find this pencil tops. I don’t usually buy a box in addition to my subscriber pack, but I have another pack of these beauties on order. I am a sucker for the soft core from the MMX.

Speaking of which, this is only the third time that Blackwing has put their softest core into a pencil from the Volumes series. I’m glad that they are revisiting what seems to be their least popular core, at least among folks who use their pencils for writing. The grip provided by this finish and the smoothness of the graphite core make this pencil a singular pleasure with which to scrawl.

I was not a super fan at first, but this pencil has just shot into my top 5 favorite Blackwing releases so far.

Blackwing Volume 33 1/3.


Monday is the official launch date of Blackwing Volume 33 1/3, the fall release from Palomino. As usual, subscribers get a first taste, and I got to take mine for聽a spin聽all weekend. Two of my three favorite Volumes have been autumnal releases, and I’d consider each of the three previous fall efforts to be a success. So how does the latest stack up?

I like that Blackwing has started to match the packing material to the Volumes releases. It’s a nice touch that I appreciate as a subscriber.聽 As usual, we get the extra pencil in a tube, an item that’s become attractive to collectors since the first Volumes came out in summer 2015, number 725.

What’s more, the last few subscriber extras were basically print-outs on card stock. This time around, subscribers get a bottle of vinyl pellets out of which a record could be made. My record-loving pal asked me, after my package came, if the set comes with a record. Yes! I don’t know what to do with this item, but I think one of my friends who is into vinyl would enjoy it. At any rate, I’m happy to see a unique extra this go-round.

 

 

 

 

 

 

 

 

 

 

 

 

Honestly, I have very little interest in vinyl records. I understand the advantages some folks experience with them, but I’ve grown too accustomed to streaming music wherever I go to go back to physically stored music now. I haven’t always gotten particularly excited about the themes/tributes around the Volumes releases, but I appreciate these as interesting pencils in their own right. The design is big thumbs up.

These pencils are black. The finish is matte and smells like an MMX, and the stamping is black and calls to mind Volume 24. The ferrule and eraser are even black, making this pencil perhaps a perfect mate for the matte black Field Notes Raven’s Wing of the Write Notepads Lenore. How much more black could this pencil get, without dying the wood (and cedar is apparently really difficult to dye)? None more black.聽

Near the business end, we find foil-stamped rings that echo the grooves on a record. They could function as a sort of grip-area, though I’m not sure if I’d like them better if they went all of the way up the pencil or if they were just not there. The core is the “balanced” core from the Pearl, Volume 725, and Volume 1. It’s honestly my least favorite of the four cores found in Blackwings, but I enjoy all four. Aside from the MMX (the darkest, my favorite), it’s a very close call between the other three.

The ferrules look a little worse for the wear. All of mine are pretty scratched up, and the “seam” where they are attached shows through in this monochromatic color scheme. Some Comrades might find this bothersome with such expensive pencils.

I have to admit that I was initially a little disappointed by the lack of autumnal hues and getting yet聽another聽black pencil from Blackwing. Once I opened my package, I found that the uniform matte black aesthetic is a winner here.聽聽Matte black has served well for over eight years as of this dispatch, and it’s among my very favorite finishes on any pencil (assuming there’s a finish, with unfinished pencils being聽 my usual favorite). These pencils will definitely get a workout during NaNoWriMo this year, if my kids don’t run off with them all for Halloween first.

Blackwing Volume 10001.


Blackwing begins the fourth year of the Volumes series with Volume 10001, a solute to Tetsuya Miyamoto and the KenKen puzzle. The copy from Blackwing explains it well:

Blackwing 10001 (澹变竾澹? pays tribute to Miyamoto Sensei鈥檚 puzzles and other creative ways of teaching and learning. 10001 is a numeral palindrome in Kanji as well as in Arabic numerals. It is also tied to one of Miyamoto Sensei鈥檚 favorite equations. The pencil features a red stained barrel, gold imprint and unique five-sided 鈥淕艒kaku pencil鈥 shape. Translated literally from Japanese, G艒kaku means 鈥減assed,鈥 as in a problem or exam. It is also a near-homophone for the Japanese word 鈥淕okakukei,鈥 meaning pentagon. G艒kaku pencils are given to every student who graduates from the Miyamoto Mathematics class.

While I enjoy the releases that speak to an interest I already have, these pencils honor a teacher and a puzzle of whom and of which I have never heard. But just as Moleskines introduced me to Bruce Chatwin, the Volumes series has encouraged me to explore a little as a result of the tributes in a few instances. This edition is definitely a case in point. I have always wanted to explore puzzles more, but where does one begin? The KenKen puzzle looks like a good launching point for me. The extra for subscribers is a set of puzzles printed on heavy stock, and the shredded paper is yellow (to echo the printing? Volume 54 had teal packing materials).

The pencils themselves, separate from the them/tribute? Beautiful. A few of the Volumes editions have been鈥?unattractive in my view (Volumes 56 and 205, I鈥檓 looking at you). Many are lovely. Some are fantastic, gorgeous, exceptional. This is the latter. I love the combination of the red stain and the high-gloss clear lacquer. My first instinct was to want these to have pink erasers, but I like the black. Pink would have dulled some of the effect of the red stain. The printing is gold and, as usual, crisp. These feature the “firm” core, the same as the Blackwing 602.*

More remarkable is the shape of these pencils. Rather than the usual hexagon from Blackwing, the rare round cross-section, or the not-yet-seen triangular barrel, Blackwing went for a pentagonal pencil. These do not feel especially differently than a hex pencil, but my hand tells me…something is up when I hold one. The other difference with this shape is that the ferrules are aligned with the imprint. So they do not rest with the stamping at the top, making them difficult to photograph.

This is a lovely start to another year of Blackwing Volumes releases. I’m already thinking about picking up another box once my kids find these and dig in.

* And Volumes 211, 56, 344, 205, and 16.2.

We Who Like Pencils.

[Stephen Watts is back, with another fantastic contribution! Thanks, Stephen, and we hope this is the first of more pieces for Pencil Revolution!]

We Who Like Pencils (or 鈥淲WLP,鈥 pronounced 鈥淲WLP鈥? routinely deal with any number of annoyances in the pursuit of our inexplicable obsession. One of my pet peeves has been the scarcity of suitable pencil display options.

There aren鈥檛 many choices available unless you鈥檙e okay with hiding one end of your pencils in a cup or stand. I prefer my pencils to proudly stand out in the open, reveling in their naked glory for all the world to see. Acrylic holders that horizontally showcase 1-13 pencils worked well for me until my collection outgrew them.

Several years ago, I succumbed to the madness and beyond all reason purchased a $500 lockable jewelry display cabinet. My son Hunter was with me the week it arrived and when, conveniently, my wife was away with Hunter鈥檚 twin brother Garrett. The exorbitant shipping charges should have been a clue that the cabinet was so heavy it had to be shipped on a pallet in a moving van. Hunter and I stared, dumbfounded, as we watched the platform on the back of the trailer slowly lower the beast to the ground. Desperate to hide all evidence of the crime, my deputized accomplice and I decided the smartest thing to do was get the cabinet upstairs in the den and mounted on the wall before my wife got back home. 200 pound painful-to-hold lockable jewelry display cabinets, we learned, don鈥檛 travel easily up twisting flights of stairs.

Fortunately, through destructive trial and error and before my wife arrived back home, Hunter and I got the Heavy Beast from Hell securely fastened to the wall and populated by a relieved flock of vintage pencils.

Dazed by a celebratory excess of potato chips and Mountain Dew, we forgot about the empty pallet which remained in the front yard awaiting bulk refuse pickup. Our ill-conceived plan to pretend as though nothing happened instantly collapsed when my wife pulled into the driveway and cried out to Garrett 鈥淗ow many pencils did he have to buy for them to be delivered on a PALLET?鈥滭/p>

My wife never found out how much I paid for the cabinet or how tiny our tax deduction was when we donated the cabinet to Goodwill a few years later as we downsized into an apartment three states away.

Once again, I needed to find a way to display these little treasures. Typical searches unearthed descriptions of how to construct my own suitable-for-framing display using thick poster board and elastic cord. This utterly ridiculous, labor-intensive solution brings with it the reprehensible requirements of patience and the ability to evenly punch holes in the poster board so one can thread the cord through perfectly-spaced holes while leaving enough slack in the elastic to hold the pencils. Sure, I found images of terrific-looking results. But with intentional deception, the instructions never revealed that such craftsmanship, in real-world scenarios outside the laboratory, is achievable only by skilled lunatics unaware they can more profitably spend their time binge-watching Netflix.

Time and again in my quests I found myself staring admiringly at the readily available but wholly unsuitable golf pencil displays. The ubiquity of these pretentiously perfect products is especially maddening because we know that golfers don鈥檛 care about their itty bitty 3.5 inch 鈥減encils,鈥 more accurately referred to by normal people as 鈥渟tubs,鈥 or we can separate ourselves from them altogether and call the teeny pencils 鈥渢eencils.鈥 Golfers aren鈥檛 displaying their teencils, they鈥檙e displaying how many golf courses they visited. The irony here is that golf itself doesn鈥檛 even matter. To quote the authoritative July 1979 Sports issue of National Lampoon Magazine, 鈥淚f you want to take long walks, take long walks. If you want to hit things with a stick, hit things with a stick. But there鈥檚 no excuse for combining the two and putting the results on TV.鈥滭/p>

After looking at these displays time and again, either I saw one model for the first time or for the first time realized what I could do with one model and it dawned on me the answer to my problem was hiding in plain sight.

If you鈥檙e like me, not just uninterested in golf but adamantly opposed to it, you鈥檒l appreciate how I鈥檝e discovered a way to cheat the golf cabal鈥檚 clever little system: Yes, available to both golfers and humans alike, there exists a beautiful display case intended to hold 64 embarrassed 3.5 inch teencils that can be repurposed to triumphantly hold one row of 32 anatomically correct pencils. It鈥檚 available in a cherry or oak finish and can be found at Great Golf Memories and Amazon. I purchased two, and a full month after putting these displays on my wall I still spend whole days standing in front of them, silently weeping with joy.

Author’s Note: I don鈥檛 work for the companies that create or sell these display cases. I just revel in this 鈥渉ack鈥 and hope that if you go this route, you won鈥檛 spoil it for the rest of the WWLP crowd by admitting your true purpose to the golf mafia.

Blackwing Volume 54.

Blackwing Volume 54, the Exquisite Corpse pencil, is here.聽The spring 2018 release from Blackwing screams SPRING, BLOSSOMS, and YES YES YES. This “Rose Pink” pencil is topped with a silver ferrule and blue eraser and is stamped in teal. Perhaps best of all, it contains Blackwing’s Extra Firm (EF) core that we saw in the 24, the 530, and the 1917.

I’ve seen it referred to as an 80s pencil, but anything with teal screams 90s to me (though it could very well just be that I prefer the 90s, with the angst, the coffee, the auburn hair.

The packing material is even teal, to echo the pencil.

[I should probably begin this post by apologizing if the color of this pencil is way off in my photos. To tell the truth, it’s not entirely on point (!) in Blackwing’s photo, either. The exact shade of pink is elusive.]

It feels weird to “review” a Blackwing that’s really just a pencil I already like with a different paint job, but I think we can say a bit about the theme. This is gutsy. Usually the Blackwing tributes lean toward the masculine (go troll these comments if you’re bored), and the aesthetics usually run on the safe/muted side. This pencil is loud, possibly the brightest premium pencil I own. At a distance, it almost looks like a cheap novelty pencil, but the thickness and quality (of all but one) of the lacquer quickly reveal this to be a lovely Japanese pencil.

This pencil is supposed to have been designed by playing the Exquisite Corpse game, and the subscribers’ kit has cardstock guides for this.

Blackwing certainly has no reason to be making this up, and we can just be happy that the results of the parts work so well together and that this is the second year of three that all four releases have represented all four cores.

The pink and teal look fantastic together. A black or gold ferrule would have been….too much; silver is perfect. I want the eraser to be a different color (the royal blue and teal clash for me), but I can’t say which currently available colors I’d rather have. Custom teal or purple would have been incredible, but, I expect, expensive.

The EF core echoes the original Palomino HB enough that, as my Erasable Podcast co-host Tim put it: “If it’s different from the Palomino, it doesn’t need to be.” It’s a great core. I don’t find that it smears less than the Firm core, but one does not use something as soft as Blackwings expecting no smearing or ghosting. I’m Okay with this.

This pencil looks amazing with the silver Blackwing point protector.

I love Volume 54, and my daughter has a box waiting for her 8th birthday later this month. I told her, truthfully, that they sold out. (And Blackwing reports that this is the Volume that has sold out from their own stock the fastest.) I didn’t tell Charlotte that I ordered a set from The Pencil Shop and that it’s waiting for her.

While pink is not my favorite color for pencils, this Volumes release is a winner for me. The looks are seasonal, and the theme is original and also something in which I’ve long been interested. The EF core and thick finish land this pencil in premium territory.

(These were not samples from the manufacturer. I’ve been a paying subscriber since literally day one.)

Blackwing Volume 16.2.


Dedicated to Ada Lovelace, the Blackwing Volume 16.2 honors a mathematician whom many credit with creating the first computer program while writing about Charles Babbage’s Analytical Machine.聽These pencils feature a completely matte finish and the “firm” graphite from the Blackwing 602 (and 211, 56, 344, 205). The imprint is grey, and the erasers are white. On the flip side of the imprinted side of the hex is a faint binary pattern representing AAL, the initials Lovelace used when signing her work. The Volume number, according to the box, is “a nod to the Analytical Engine’s storage capacity of 16.2 kB.”

Last time around, I really liked the aesthetics of the pencil but not so much the tribute. It’s fantastic that Blackwing has honored another woman with a Volumes release.聽 Having a daughter who is into both art and science, I like where there is/could be going.

Aesthetics-wise, I like this pencil for two reasons and am “eh” about it for one. Let’s sandwich them. First, I really like the tactile result of a totally matte finish. It’s like the opposite of the gloss we often see/feel with pencils, and I really like the grip I can get. The paint feels a little thicker than most matte finishes I’ve encountered, too, thicker than Volume 1 even.

On the “eh” side, the pencil is deliberately understated, i.e., boring. It’s all black and white without even the gold ferrule from the original Pearl (before they changed the stamp to gold). The looks are “inspired by the simple styling of early personal computers,” but Blackwing did not go All In and just make these in beige (thankfully). But stark might be a better word, and it leads me to think of the incoming season — which brings me to the other positive about the aesthetics of this pencil.

I think that, like Volume 1, these function as Accidentally Seasonal Pencils. They are seriously wintry, more so than any other Blackwing Volumes release to date. The matte white evokes snow, and the matte ferrule has exactly the look of a glossy one that’s come in from the cold (seriously; try it). In that respect, I think some of my favorite quarterly releases from my various subscriptions/memberships are the ones that evoke their seasons. Blackwing has done a pleasing job of this each fall, and I’m glad that they have, even accidentally, given us a pencil that feels like the winter too. (Do I smell something grass green for spring? A Rachel Carson edition? Walt Whitman?)

Also, these look fantastic with the new Pearl editions of the lovely notebooks from Blackwing. This cannot be an accident.

Finally, subscribers got a really cool pencil in a tube honoring Cal Cedar’s 100th anniversary, and subscribers can purchase boxes later. These feature a natural finish and the Extra Firm graphite we found in Volumes 24 and 530.

Folks surrounding The Erasable Podcast have been calling for such a pencil for some time, and we hope that there’s a non-anniversary one (with silver ferrule and pink eraser) coming for everyone who wants to give Blackwing money in exchange for them (and for me, a gross, thanks).